MARY ANN PETERS

www.maryann-peters.com
studio: 802 6th Avenue South
Seattle,Washington 98134

Phone: 206/ 624. 2817

Email: maryann(at)maryann-peters.com

 

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EDUCATION
1977   M.F.A University of Washington, Seattle, WA; painting/drawing
1971   B.A. University of California, Santa Barbara, CA; printmaking

 

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LINKS

 

James Harris Gallery Seattle, WA

Olson/Kundig Architects Seattle, WA

MacDowell Colony Peterborough, NH

 

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PROJECTS & INSTALLATIONS

2000-09

Private Residence in cooperation with Olson/Kundig Architects, Installation, WA

Private Residence in cooperation with Olson/Sundberg/Kundig/Allen Architects, Installation, WA

Private Residence in cooperation with Olson/Sundberg/Kundig/Allen Architects, Installation, Seattle, WA

Private Residence in cooperation with Olson/Sundberg/Kundig/Allen Architects, Installation, Hong Kong

 

2000-04

Keeping the Faith: A Prison Project, Seattle, WA; Phoenix, AZ; Cincinnati, OH; Dublin, Ireland
An outreach arts and performance program of the Pat Graney Dance Performance Co. focusing on women prisoners. Visual artist team member. Invented themes for art projects and created visual elements/sets for performances.

 

2002 

recuerdo  (after Tomas Rivera) University of Texas, San Antonio, TX
Project focusing on the work of Tomas Rivera, Chicano poet, writer, academic and human rights activist. The work includes poems by Rivera and takes its theme from his signature work y no se lo trago la tierra (and the earth did not swallow him) about a boy in a Mexican migrant family.  The project covers four walls and a pillar adjacent to the Tomas Rivera Center.

 

1999 

myself inside your story, Archer Gallery, Clark College, Vancouver, WA
On site drawing project focused on my mother and the women in her family. Accompanied by impromptu discussions with students regarding heritage, homage and the Middle East. Exhibition of paintings and drawings accompanied the two week residency.

 

1993

A Canvas of Episodes Port of Seattle, Seattle, WA Site specific project commissioned by the Port of Seattle for its headquarters. The piece is integrated directly into the architecture on two levels of the atrium at the west end of the building. Paintings, text, steel and photo-etched tiles are placed at intervals throughout the space, using pillars, stairs, and main wall (front and back). The imagery refers to three themes: old to new, (the site was a ruin on the waterfront capped with a new structure); sea to sky, (the principal transportation venues of the Port); and culture to culture, (the Port is a global business).

 

1992

Quiet Room University of Washington Medical Center, Seattle, WA
First in a pilot project for artist designed spaces. Adjacent to the surgery department, the room is intended for use by staff and patient families for consultations and meditation.  Components: frescoed walls, gouache paintings, embedded photograph, customized floor of laminate and slate, furniture of wood, steel, sapling and metallic naugahyde. Commissioned by the Hospital Public Art Program.

 

Boushay Solarium (Memorial to Frank Boushay)Bailey/Boushay House, Seattle, WA
Conceived, designed, and executed memorial solarium in Bailey/Boushay House, the first new long term and critical care facility built for people with AIDS. Included endgrain flooring, sapling railing (old and new), madrona veneer, frescoed walls, gouache paintings, copper memorial pillar, relief plaster text, memorial tributes to Frank under the flooring.  Key components relate to the cycle of life, as researched from cross cultural references and through direct conversations with people living with AIDS. Collaboration with Beliz Brother. Commissioned by AIDS Housing of Washington.

 

In Place University of Washinton School of Art Gallery, Seattle, WA
On site drawing using the gallery as a studio and the walls as a canvas; executed over a two week residency that included slide lectures to graduate sculpture and painting students as well as undergraduate drawing classes.

Find the Syrian Boys Bellevue Art Museum, Bellevue, WA
Commissioned installation exploring artist’s Lebanese heritage and family’s immigration experience based on correspondence between father and grandfather. Included: frescoed walls, names in relief, uprooted tree, honeycomb aluminum table, family photographs and water.

 

1990

Akbar’s Muse 911 Contemporary Arts Center, Seattle, WA
Installation for “Origins: Experiences in Multiculturalism,” a project for the 1990 Goodwill Games Arts Festival. Window and interior sited piece that included world map, painted symbols, doors, projection, wall drawing, family letter, and spices. Based on the Diwani Kaas (Hall of Special Audience) build by the Emperor Akbar at Fatepuhr Sikri, a site seen by the artist in northern India.

 

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ONE & TWO PERSON EXHIBITIONS


2010  if thinking is form: a visual diary Edmonds Community College, Lynwood, WA
2009  and the edge becomes the center James Harris Gallery, Seattle, WA
2007  in an instant   James Harris Gallery, Seattle WA
2006  this world and mine James Harris Gallery, Seattle, WA
2000  palimpsest Richard Hugo House, Seattle, WA

1999 _ _ _myself inside your story, onsite drawing, Archer Gallery, Clark College, Vancouver, WA
1998  if thinking is form Meyerson & Nowinski Art Assoc., Seattle, WA

1996  _ __myself inside your story Meyerson & Nowinski Art Assoc., Seattle, WA

1995  _ _Four Corners open studio, Seattle, WA

1994  _ _Notes Pulliam Deffenbaugh Nugent Gallery, Portland, OR
1989  Espana Linda Farris Gallery, Seattle, WA   

 _ _ _ _ _ _ _ _And Now This "Eyes of Love; Windows on AIDS" project Seattle, WA

1988  The Pool 911 Contemporary Arts Center windows project, Seattle, WA

1987  eide (working drawings) Linda Farris Gallery, Seattle, WA

1985  _ _The Picture Wall Linda Farris Gallery, Seattle, WA   

 _ _ _ _ _ _ _ _Notes Towards the Picture Wall Whatcom County Museum, Bellingham, WA
1984  Silent Partners  Marylhurst College, Portland, OR
1983  Silent Partners Linda Farris Gallery, Seattle, WA

1981 _ _ _New Work Linda Farris Gallery, Seattle, WA

1980  _ _ site unseen Henry Art Gallery, University of Washington, Seattle, WA

 

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GROUP EXHIBITIONS

2010  A Show of Hands:Northwest Women Artists 1880-2010  Whatcm Museum, Bellingham, WA.

 _ _ _mirror,mirror James Harris Gallery, Seattle, WA
2007   Northwest Biennial  Tacoma Art Museum, Tacoma, WA  
2006   Junctions    James Harris Gallery, Seattle, WA
2005   A Decade of Excellence: Celebrating the Neddy Artist Fellowship    Tacoma Art Museum, Tacoma, WA

 _ _   _Lucky 7 WinstonWachter Fine Art, Seattle, WA
2004   _Perspectives; Selections for City of Seattle 1% Program Trade & Convention Center, Seattle, WA

 _ _ _Paperworks    Platform Gallery, Seattle, WA
2003  _ _Variations of Abstraction City Space Convention Center, Seattle, WA
2002  _ _Northwest Masters    City Space Convention Center, Seattle, WA

 _ _ _ _ _ _ _Artist in Residence    Hoffman Gallery, OCAC, Portland, Or
2000  _ _Neddy Fellowship    Behnke Foundation invitational, Seafirst Gallery, Seattle, WA
1998 _ __Neddy Fellowship    Behnke Foundation invitational, Seafirst Gallery, Seattle, WA

 _ _ _ _ _ _ _Drawing, national invitational    Meyerson & Nowinski Art Assoc., Seattle, WA

 _ _ _ _ _ _ _Northwesterners Fresh Paint Gallery, Los Angeles, CA
1997 _ _ Meeting in Art I   International Art Workshop, invitational, Istanbul, Turkey

 _ _ _ _ _ _ _Drawing national invitational    Meyerson & Nowinski Art Assoc., Seattle, WA
1996 _ _ Surface Stories Clark College, Vancouver, WA
1995  _ _Visionaries   Bumbershoot Arts Festival, Seattle , WA

 _ _ _ _ _ _  _Metaphor    Pulliam Deffenbaugh Gallery, Portland, OR  

 _ _ _ _ _ _ _Seattle Noir    invitational Vox Populi Gallery, Seattle, WA
1994   _Spatial Flux: A Means of Expression Seattle Center Pavilion, Seattle, WA

 _ _ _ _ _ _ _Telling Stories: Looking for Narrative in Visual Art Newmark Center, Seattle, WA
1993   _invitational   1004 Gallery Port Townsend, WA

 _ _ _ _ _ _ _Art Works for AIDS invitational, Seattle, WA

 _ _ _ _ _ _ _Proposals: New Projects at the Port    Italia Gallery, Seattle, WA
1992  _ Lingua Franca   Falkirk Cultural Center, Richmond, CA

 _ _ _ _ _ _ _Women Painters in the Northwest Viking Gallery, Bellingham, WA

 _ _ _ _ _ _ _Bill of Rights    David Shearer Gallery, Seattle, WA

 _ _ _ _ _ _ _Poncho Invitational    Security Pacific Gallery, Seattle, WA
1991   _The Big and The Small of It    Northview Gallery, Portland Comm. Col., Portland, Or

 _ _ _ _ _ _ _Artists Respond to the War    Traver Gallery, Seattle, WA

 _ _ _ _ _ _ _Visual AIDS Project New York City, NY

 _ _ _ _ _ _ _Poncho Invitational Security Pacific Gallery, Seattle, WA

 _ _ _ _ _ _ _Notes towards Akbar’s Muse Western Washington University, Bellingham, WA

 _ _ _ _ _ __ _Notes towards Akbar’s Muse Linda Farris Gallery, Seattle, WA
1990  _ __Organic Abstraction Bumbershoot Arts Festival invitational, Seattle. WA
1989  _ _Northwest Annual Center On Contemporary Art, Seattle, WA
1988  _ _University of Washington School of Art 1950-1980 Safeco Corp., Seattle, WA
1987  _ _Aspects of Drawing; Abstraction City of Seattle Public Art Space, Seattle, WA

 _ _ _ _ _ _ __Focus: Seattle San Jose Art Museum, San Jose, CA

 _ _ _ _ _ _ __Structures Northwest Building Corporation, Seattle, WA

 _ _ _ _ _ _ __Decade of Abstraction Bumbershoot Arts Festival, Seattle, WA
1986  _  _Abstract Dimensional Painting Richmond Art Center, Richmond, CA

 _ _ _ _ _ _ _ _Northwest Impressions: Works on Paper Henry Art Gallery, University of Washington, WA

 _ _ _ _ _ _ __Centrum Prints    Davidson Galleries, Seattle, WA
1985  _ _New Seattle Work   Safeco Corp., Seattle, WA
1984 _ _ Sylph Elegy Stella Polaris Gallery, Los Angeles, CA

 _ _ _ _ _ _ _New Acquisitions Seattle Art Museum, Seattle, WA
1983  _ _Newcomers '83    Los Angeles Municipal Gallery, Los Angeles, CA

 _ _ _ _ _ _ _Pacific Northwest Today    Brentwood Gallery, St. Louis, Mo

 _ _ _ _ _ _  _Seattle Artists   San Francisco Museum of Art, Rental Gallery San Francisco, CA

 _ _ _ _ _ _  _Salon de Refuses Seattle, WA
1982  _ _Selected Gallery Artists Tom Lutrell Gallery, San Francisco, CA
1981  _ _Large Scale Painting   Linda Farris Gallery, Seattle, WA
1980  _ _Eight Seattle Artists   Los Angeles Institute of Contemporary Art, Los Angeles, CA

 _ _ _ _ _ _ _Cranberry Drawing Invitational    Cranberry Institute, Boston, MA
1979  _ _Collections from the City Seattle Art Museum, Seattle, WA

 _ _ _ _ _ _ _Seattle Drawing and/or Gallery, Seattle, WA

 _ _ _ _ _ _ _19 Artists Linda Farris Gallery, Seattle, WA

 _ _ _ _ _ _ _Seattle Selects Arctic Building, Seattle, WA

 

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GRANTS/AWARDS/RESIDENCIES

2010  _ _MacDowell Colony Pollock/Krasner Fellowship/residency Peterborough New Hampshire

 _ _ _ _ _ _ _Edmonds Community College, Lynnwood, WA on site drawing project/residence
2009  _ _JentelArts, Sheridan, Wyoming residency
2003  _ _Northwest Institute of Architecture & Urban Studies in Italy (NIAUSI)   residency
2002  _ _Oregon College of Arts and Crafts masters residency and workshop director
2000  _ _Neddy Fellowship, Behnke Foundation, Seattle, WA painting award recipient

 _ _ _ _ _ _ _Honors Program, King County Arts Commission Purchase Award winner
1998  _ _Neddy Fellowship, Behnke Foundation, Seattle, WA finalist, painting award
1997  _ _Artist Trust Ten-Year Presidents' Award for Artistic Achievement and Leadership, International Art  _ _ Workshop, Association of Museums of Painting and Sculpture, Istanbul, Turkey residency
1995  _ _Art Matters Foundation, New York City, NY   individual artist fellow

 _ _ _ _ _ _ _Pilchuck School artist residency
1987  _ _Private patronage, Barcelona, Spain residency
1986  _ _Centrum Foundation, Northwest Print Project, Port Townsend, WA residency
1980  _ _Seattle Arts Commission, Henry Art Gallery, Seattle, WA exhibition grant
1978  _ _Ford Foundation, University of Washington, Seattle, WA study grant

 _ _ _ _ _ _ _Centrum Foundation, Port Townsend, Wa master painting class scholarship

 

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REVIEWS/ARTICLES/PUBLICATIONS

2010  _ _"21st Century Houses 150 Of The World's Best" photo spread Hong Kong villa
2009  _ _"Mary Ann Peters: holding the moment"  catalog
 _ _ _ _ _ _ _"Jim Olson: Houses" photo spread Hong Kong villa
2006  _ _Duvuono, Frances “Mary Ann Peters at James Harris Gallery” Artweek, West Coast
 _ _ _ _ _ _ _Hackett, Regina “Mary Ann Peters: in the galleries” Seattle Post Intelligencer, Seattle, WA
 _ _ _ _ _ _ _Graves, Jen “Mary Ann Peters:in arts news” The Stranger, Seattle. WA
2003  _ _Moonan, Wendy. “Serene in Seattle.” Architectural Digest,
2002 _ _ Quad Productions. “what if I were to remain here?” video document of recuerdo project, University of Texas, San Antonio, Tx.
1998  _ _Updike, Robin. “New paintings spark imagination.” Seattle Times.
 _ _ _ _ _ _ _Frank, Peter . “Northwesterners.” LA Weekly, Los Angeles, CA
 _ _ _ _ _ _ _Hackett, Regina. “Compositional rigor, painterly elegance.” Seattle Post Intelligencer, Seattle, WA
 _ _ _ _ _ _ _Alderman, Carol. “Material Witness: Mary Ann Peters.” ArtAccess, Seattle, WA
 _ _ _ _ _ _ _Hahn, Cheryl. “If Thinking is Form-Mary Ann Peters.” ArtPapers, Chicago, IL.
1996  _ _Glowen, Ron . "Mary Ann Peters at Meyerson & Nowinski." Artweek, San Francisco, CA
1995  _ _Hackett, Regina "Mary Ann Peters." Seattle Post-Intelligencer, Seattle, WA.

 _ _ _ _ _ _ _Staff. "WW Pick." Willamette Weekly, Willamette, WA
1994  _ _Lave, Rebecca. "WW Pick." Willamette Weekly, Willamette, WA

 _ _ _ _ _ _ _Staff. "The Ethereal Realm." The Oregonian, Portland, OR
1993 _ _ Tarzan-Ament, Dolores. "Art at the Port." Seattle Times, Seattle, WA

 _ _ _ _ _ _ _Hackett, Regina. "Pier Pleasures." Seattle Post Intelligencer, Seattle, WA

 _ _ _ _ _ _ _Berger, David. "Public Shish Kabob." Reflex Magazine, Seattle, WA
1992 _ _ “Of Magic and Memory.” Catalogue. Bellevue Art Museum, Bellevue, WA
 _ _ _ _ _ _ _Brunsman, Laura. "Making Art that Heals." Reflex Magazine, Seattle, WA
 _ _ _ _ _ _ _Laughter, J.S. "Hospital Quiet Room: A Refuge in Art." Common Ground Magazine,
 _ _ _ _ _ _ _Canty, Don. "On Architecture: Bailey/Boushay House." Seattle Post Intelligencer, Seattle, WA
 _ _ _ _ _ _ _Laughter, J.S. "Artists, Designers Pitch In to Make AIDS Care House Unique Home." Crafts Report Magazine,
 _ _ _ _ _ _ _Peters, M.A. "On Representing AIDS: An Artist's View." Reflex Magazine, Seattle, WA
 _ _ _ _ _ _ _Staff. "New Directions in Hospice Design." Architecture Magazine,
1991  _ _Bruch,Chris. "Exploring Other Venues." Interview, Reflex Magazine, Seattle, WA

1990  _ _Chiu, Denny. "Akbar's Muse." Seattle Weekly, Seattle, WA
 _ _ _ _ _ _ _Bryant, Elizabeth. "Drawing Power." Reflex Magazine, Seattle, WA
1987  _ _Schnoor, Chris. "Art as Idea." Artweek,
 _ _ _ _ _ _ _Smallwood, Lyn. "Peters Mystical Markings." Seattle Post-Intelligencer, Seattle, WA
1986  _ _Berkson, Bill. "Report from Seattle: In The Studios." Art in America, New York City, NY
 _ _ _ _ _ _ _Brunson, Jamie. "In a Hybrid Idiom." Artweek
 _ _ _ _ _ _ _Shere, Charles. "Richmond's Abstracts Explores New Dimensions." Oakland Tribune, Berkeley, CA
 _ _ _ _ _ _ _Weinstein, David. "Abstract Dimensional Painting." West County Times, Berkeley CA
 _ _ _ _ _ _ _Hackett, Regina. "Northwest Impressions: Works on Paper." Seattle Post-Intelligencer, Seattle, WA
1984  _ _Pincus, Robert L. "3 at Stella Polaris." Los Angeles Times, Los Angeles, CA
1983  _ _Donahue, Marlene. "Newcomers '83." Artweek.

 _ _ _ _ _ _ _Hackett, Regina. "Silent Partners." Seattle Post-Intelligencer, Seattle, WA

 _ _ _ _ _ _ _Kendall, Sue Ann. "Silent Partners." The Seattle Times, Seattle, WA

 _ _ _ _ _ _ _Smallwood, Lyn. "Forward into the Past." Seattle Weekly, Seattle, WA
1982  _ _“50 Northwest Artists.” Chronicle Books, San Francisco, CA
1981  _ _Hackett, Regina. "Formalist Painter Exceeds Reputation." Seattle Post-Intelligencer, Seattle, WA
1980  _ _Muchnic, Suzanne. "An Assault from Seattle." Los Angeles Times, Los Angeles, CA
 _ _ _ _ _ _ _Kangas, Matthew. "Recent Installation Art." and/or Notes.
1980  _ _Hackett,Regina. "Site Unseen." Seattle Post-Intelligencer, Seattle, WA
1979  _ _Kangas, Matthew. "Peters at Linda Farris Gallery." Art in America, New York City, NY
1979  _ _“Nineteen Artists.” Catalogue. Linda Farris Gallery, Seattle, WA

 

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TEACHING/WORKSHOPS/LECTURE

2010  _ _Universidad Nacional Autonoma de Mexico   guest lecturer
 _ _ _ _ _ _ _University of Puget Sound    guest lecturer
2006  _ _University of Washington, Seattle, WA.    Instructor: painting/drawing
2005  _ _Seattle City Club, Seattle, WA panelist
 _ _ _ _ _ _ _Creativity for Peace, Santa Fe, NM instructor
 _ _ _ _ _ _ _NBBJ Architects    guest speaker
2004  _ _Olson/Sundberg/Kundig/Allen Architects guest speaker
2003  _ _University of Washington Public Art Program guest lecturer
 _ _ _ _ _ _ _Seattle University guest lecturer
2002  _ _Portland College of Arts and Crafts guest lecturer
 _ _ _ _ _ _ _University of Texas, San Antonio guest lecturer
 _ _ _ _ _ _ _University of Washington guest lecturer
2000  _ _Richard Hugo House, “disappearances” inquiry sessions, Seattle, WA panelist
 _ _ _ _ _ _ _Evergreen State College    guest lecturer
 _ _ _ _ _ _ _University of Texas, San Antonio guest lecturer
1999  _ _Clark College, Vancouver, Wa guest lecturer
 _ _ _ _ _ _ _Oregon College of Arts and Crafts guest lecturer and drawing workshop instructor
1998  _ _National Association of Artists Organizations, Art and Social Action, Chicago, IL  panelist
 _ _ _ _ _ _ _Evergreen State College, Olympia, Wa guest lecturer
 _ _ _ _ _ _ _Artist Trust, annual board retreat keynote speaker
1997  _ _International Art Workshop, Istanbul Turkey U.S. representative/guest lecturer
 _ _ _ _ _ _ _University of Washington School of Art, Seattle, WA guest lecturer
1996  _ _Oregon College of Arts and Crafts guest lecturer and drawing workshop instructor
1994  _ _University of California, Santa Barbara guest lecturer and faculty
 _ _ _ _ _ _ __Eastern Washington University, Pullman, WA guest lecturer
1993  _ _American Institute of Architects, Seattle Chapter, Seattle, WA guest lecturer
1992  _ _University of Washington, School of Art, Seattle, WA guest lecturer and artist-in-residence
 _ _ _ _ _ _ _Cornish Art Institute, Seattle, WA guest lecturer
 _ _ _ _ _ _ _Olympic College, Bremerton, WA guest lecturer
1991  _ _Henry Art Gallery, Seattle, WA guest lecturer
 _ _ _ _ _ _ _University of Washington, School of Art, Seattle, WA guest lecturer
1990  _ _Western Washington University, Bellingham, Wa lecturer and artist in residence
 _ _ _ _ _ _ _Cornish Art Institute, Seattle, WA guest lecturer
 _ _ _ _ _ _ _University of Washington, Seattle, WA guest lecturer
1989  _ _Evergreen State College, School of Art, Olympia, Wa guest lecturer
 _ _ _ _ _ _ _University of Washington, School of Art, Seattle, WA guest lecturer
1987  _ _San Jose State University, School of Art, San Jose, CA guest lecturer
1986  _ _Cornish Art Institute, Seattle, WA guest lecturer
 _ _ _ _ _ _ _University of Washington, Seattle. Wa guest lecturer
 _ _ _ _ _ _ _Evergreen State College, School of Art, Olympia, Wa guest lecturer
 _ _ _ _ _ _ _Artists Unlimited, Edmonds Community College, Edmonds,Wa artist-in-residence
1985  _ _Centrum Foundation, Visual Arts Program, Port Townsend, WA workshop instructor
1984  _ _Centrum Foundation, Visual Arts Program, Port Townsend, WA workshop instructor
1983  _ _Centrum Foundation, Visual Arts Program, Port Townsend, WA workshop instructor
1981  _ _Evergreen State College, Extension Program, Port Angeles, WA studio instructor
 _ _ _ _ _ _ _Cornish Art Institute, Seattle, WA, Advanced Seminar Lecture Series speaker
 _ _ _ _ _ _ _University of Washington, School of Art, Seattle, WA guest lecturer
 _ _ _ _ _ _ _Centrum Foundation, Visual Arts Program, Port Townsend, WA   workshop instructor
1980  _ _Evergreen State College, Extension Program, Port Angeles, WA studio instructor
 _ _ _ _ _ _ _Henry Art Gallery, Seattle, WA guest lecturer
1979 _ _ Olympic College, Bremerton, WA studio instructor
 _ _ _ _ _ _ _Factory of Visual Art, Seattle, WA studio instructor
1978  _ _Factory of Visual Art, Seattle, WA studio instructor

 

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PUBLIC AND CORPORATE COLLECTIONS AND COMMISSIONS

Progressive Art Collection, Mayfield, OH
Amgen, Seattle, WA.
Bailey/Boushay House and AIDS Housing of Washington, Seattle, WA

City of Seattle, WA Davis, Wright, Jones, Seattle, WA Hughes Corporate Headquarters, Los Angeles, CA
Kargianis and Austin, Seattle, WA

King County Regional Justice Center, Seattle, WA

Microsoft Corporation, Redmond, WA
Minnesota Museum of Art, Minneapolis, MN
Olympic College, Bremerton, WA
Pacific Lutheran Universtiy, Tacoma, WA
Perkins Coie, Seattle, WA

Port of Seattle Headquarters, Seattle, WA

Port of Seattle, Seattle, WA

Rainier National Bank, Seattle, WA

Safeco Corporation, Seattle, WA

Seattle Art Museum, Seattle, WA

Seattle City Light, Seattle, WA

Seattle First National Bank, Seattle, WA

Seattle Sheraton Hotel, Seattle, WA

Tacoma Art Museum, Tacoma, WA
University of Texas, San Antonio, TX
University of Washington Medical Center, Seattle, WA

 

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COMMITTEES

2010-2005  _ _4Culture, Public Art Committee Member/Chair, Seattle, WA 2001

 _ _ _ _ _ _ _ _ _ _ _ _ _Advisory Committee, Tashiro Kaplan Building, ArtSpace Projects, Seattle, WA
1999-1997  _ _Centrum Creative Residencies core design team, Port Townsend, WA
1996-1994  _ _Public Art Program Committee, University of Washington, artist representative
1991  _ _ _ _ _ _ _ _University of Washington Medical Center,Public Art Program, artist advisor
1992-1991  _ _Bellevue Art Museum Programming Committee, Bellevue, WA

 _ _ _ _ _ _ _ _ _ _ _ _ _National Visual AIDS Project, Seattle representative

 _ _ _ _ _ _ _ _ _ _ _ _ _Bailey/Boushay House, AIDS long term care facility, founding art committee
1991-1990  _ _Artist Trust, artist advisor

 

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BOARDS OF TRUSTEES

2000-1993  _ _National Campaign for Freedom of Expression, WA artist rep & Board President
1997   _ _ _ _ _ _ _Artist Trust, WA honorary board member
1988-1980   _ Center on Contemporary Art, WA founding member
1986-1983   _ Artists Unlimited, WA artist advisor

 

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JURY/PANEL PARTICIPATION

2007  _ _Arab American National Myseum, Detroit, Michigan conference panelist
2002  _ _King County Arts Commission, Juvenile Detention Center juror
2001  _ _King County Arts commission, Seattle/Tacoma Airport juror
1997  _ _King County Arts Commission, Special Projects juror
1996  _ _Kent Arts Commission, Art in Public Places juror
1994  _ _Public Art Committee, University of Washington juror
1993  _ _Leadership Tomorrow Conference panelist
1992  _ _King County Arts Commission, Art in Public Places, Harborview Hospital Project juror

 _ _ _ _ _ _ _Art Fair Seattle, "Directions in Public Art" panelist

 _ _ _ _ _ _ _Leadership Tomorrow Conference panelist
1991  _ _Washington State Arts Commission, Art in Public Places, Community Colleges Project juror

 _ _ _ _ _ _ _Pratt Fine Art Center, residency program juror
1990  _ _City of Seattle Selection Committee, Director, Seattle Arts Commission panelist

 _ _ _ _ _ _ _Pacific Northwest Regional Art Exhibition, Bellevue Art Museum juror

 _ _ _ _ _ _ _Sculpture Symposium, University of Washington panelist and advisor
1985  _ _Seattle Arts Commission, 1% for Art Program, New Acquisitions juror
 _ _ _ _ _ _ _King County Arts Commission, New Acquisitions, Hearing, Speech, Deafness Center juror
1984  _ _Metro Transit, Transit Stations Design Team Project, Seattle, WA juror
1982  _ _Henry Art Gallery, University of Washington, "Artists and the 21st Century” panelist

 

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RELATED EXPERIENCE

2000-1999  _ _Visual & Bodygraphics Advisor, Pat Graney Dance Company, “tattoo”, Seattle/Santiago, Chile
1990-1992   _ _Director/Moderator, Second Thursday Lecture Series, created monthly panels focusing on contemporary issues and the visual arts
1991  _ _Curator, Catalogue essayist, Center on Contemporary Art, "In/site" three installations by West Coast women artists
1987  _ _Site Visitor, National Endowment for the Arts, artist spaces (Detroit and Anchorage)
1981  _ _Coordinator, Center on Contemporary Art, inaugural exhibition: James Turrell exhibition


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TRAVEL

Asian sub-continent (Turkey, Iran, Afghanistan, Pakistan, Nepal),Spain, Italy, Chile, Costa Rica, Mexico, Columbia and Mali

 

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